From Keats to Merseybeat: a retreat into my favourite verse is a soul saver | Hannah Jane Parkinson

Poems are Swiss army knives of words – they have multiple uses

I can’t remember when I fell in love with poetry, though I remember the teachers who encouraged it. I remember bringing in a lever-arch file of my own “efforts”, aged 14, mostly aping Wilfred Owen – a war poet who had the distinct advantage of having served in a war, which I had not. I had been kettled while on an Iraq protest, though, which I maintain counts for something.

Living in Oxford in my late teens and early 20s, I became involved in the performance poetry scene, supporting the likes of Patience Agbabi and Lemn Sissay, and winning awards at a university I did not attend. Poetry is supposed to be read aloud, and yet I enjoy it most on the page. That way you can take it anywhere, along with your heart and your brain. In this world of cacophonous news, long reads on populism, and explainers on influencers (who I still don’t really understand or care about), a retreat into my favourite verse is a soul saver.

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